WESTPORT SOUND FESTIVAL 2025


Westport Sound Festival returns 11-12th October 2025 – As mentioned on BBC Radio 3’s Late Junction – with another weekend of experimental and improvised music and sounds from around the world, spread across two venues over one weekend. Tickets are now available via Headfirst. Full lineup below.

Weekend – Concession £65
Weekend – General £75
Weekend – Legacy £90

Westport Sound 25 Timetable

FRIDAY 10 October
Westport Warm-up

8.30 – Hayloft
The Egg

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The Egg are genuine legends of the underground music scene not just here in the UK but due to numerous global jaunts, worldwide too. The band formed in Oxford in the 1990’s and were one of the first bands I’d ever seen play electronic techno but as a typical four piece bass/drums/guitar/keys affair. I remember thinking when rave music was taking over in the early 90’s that bands would have to learn to play this thumping dance style in order to compete with the rash of DJs popping up everywhere. The Egg not only mastered this but also developed their own highly funky take on the genre that proved irresistible with the countless audiences they performed to. The Egg had a hit record in 2006 with the David Guetta mashup Love Don’t Let Me Go (Walking Away) which reached number 3 in the UK and charted all across Europe.

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SATURDAY 11 October

4.15 – Hayloft
Argia (Tara Cunningham/Caius Williams/Theo Guttenplan)

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5.15 – St. Mary’s Hall
Last Dream of the Morning

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Last Dream Of The Morning - Westport Sound 2025, Wiltshire
Last Dream of the Morning is a trio of jazz & free improvised music heavyweights – saxophonist John Butcher, double bassist John Edwards & drummer Mark Sanders. Since the early 1980s, all three have explored rich & significant collaborations with a roll call of the greats in jazz & experimental music, from Spontaneous Music Ensemble and AMM’S Eddie Prévost to Fred Frith, Joe McPhee & Keiji Haino, to everyone in between. Last year John Butcher celebrated his 70th birthday at London’s Cafe OTO, a chance to appreciate a lifetime’s commitment to collaboration and musical exploration. As the New York City Jazz Record notes, Butcher has operated ’at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby’.

Mark Sanders is a celebrated & prolific drummer, playing with greats including Wadada Leo Smith, Henry Grimes & Evan Parker. John Edwards grew up in London & is deeply rooted in free jazz & improvisation. He is widely regarded as one of the great double bass players of his generation. A strutting intensity that acclaimed journalist Richard Williams observes as, ‘absolutely remarkable: there’s never been anything like him before, anywhere in jazz.’

“all working at the very pinnacle of European improv…the level of rapport and collective virtuosity is astonishing.” – Daniel Spicer, Jazzwise

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6.15 – Hayloft
Bryn Wyrd

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Bryn Wyrd - Westport Sound 2025, Wiltshire
Bryn Wyrd is a Bristol based duo with strong Midlands roots. The collaboration between DIY stalwarts Anthony Brown (Repo Man / Iceman Furniss Quintet) on upright bass and Aron Ward (Harpoon / Repo Man) on electronics, drum machines and fx mangling, forges a dense texture of entangled & taut, industrial techno-like pulses of distortion, pounding electronic physicality & dub concrète production with traces of early Warp-style IDM & hard strummed free jazz bass lines.

“Lands somewhere pretty fresh and, by my reckoning, largely unoccupied” – Noel Gardner, The Quietus

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7.30 – St. Mary’s Hall
The New Eves

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The New Eves - Westport Sound October 2015
These are a Brighton-based DIY quartet of folkloric punk & rock ’n’ roll: a crashing, ritualistic propulsion across cello, violin, flute, guitar, bass & drums. Indie hooks & wails with the Motorik edge of The Velvet Underground, sit with the playful looseness of The Raincoats & agitated delivery of Patti Smith. After a festival highlight set at Green Man’s Rising Stage last year & an upcoming UK tour, End of the Road main stage festival appearance & debut album release, it’s a real coup to welcome them to Westport.

“One of the most exciting debut albums of the year” – Rough Trade

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NME

9.00 – St. Mary’s Hall
137

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137 - Westport Sound 2025, Wiltshire
Post-jazz art rock supergroup with members of Portishead, Sons of Kemet & Get the Blessing.

That all too rare thing, a supergroup of considerable individual acclaim & experience, free of ego, connecting instead through musical commitment to the collective. Their strong individual identities remain however, and only act to weave together a web of determined sound. Larry Stabbins, collaborator with Keith Tippett, Louis Moholo, Tony Oxley & Peter Brötzmann alongside popular soul-jazz success with his 1980s group Working Week, frequently snakes & soars above a driving post-rock bedrock of Jim Barr’s thundering bass lines, the shadowing menace of Adrian Utley’s sidewalk crunching guitar & the shuffling undercurrent of Seb Rochford’s drums: the percussive & rhythmic voice of Acoustic Ladyland, Polar Bear, Sons of Kemet & Patti Smith’s live band amongst many others.

137 are sure to shake St Mary’s Hall.

“Tremble and bristle together like post-rockers Mogwai, had they cut their teeth on Weather Report and Barry Adamson” – Tariq Goddard, The Quietus

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SUNDAY 12 October

1.00 – St Mary’s Hall
Theo May

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Theo May Westport Sound 2025, Wiltshire
Malmesbury’s own prodigy, a hometown favourite with progressive vision & classical technique. Theo was born in the late 1990s and excited by his father’s love of jazz & extensive collection of music began to play the violin at 4 years old. Formal education came through the South West Music School in 2009, The Purcell School and then the Royal College of Music. Theo has an energetic, expansive practice immersed in jazz, free improvisation, folk & classical music, shaped & encouraged by the guiding light & support of Keith & Julie Tippett.

Theo May’s New Odd Unit emerges from the ashes of last year’s celebrated album Alive in the Forest of Odd. That quintet’s wild set of European folk, modal jazz & avant-garde compositions was released with a triumphant sold out hometown show & airplay on BBC Radio 3’s specialist jazz programme Round Midnight. Theo’s abundant energy, wide musical reach & renaissance style intensity suggests him to be something of a contemporary David Munrow.

Sunday lunchtime promises to be a blistering start to the day’s programme – wake the town & tell the people indeed.

“an approach to music-making that takes such delight in the journey of a composition, travels across so many musical traditions and countries, and reaches out to explore novel ways of bringing familiar instruments together [with] a vision that is so all-embracing, enthusiastic, and warm” – Chris Barber, Jazz Views

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2.15 – Hayloft
Kathy Hinde

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Kathy Hinde is an artist and composer whose practice embraces open methods and evolving processes. Through installations, performances and site specific experiences, she aims to nurture a deeper and more embodied connection to the more-than-human world. Composed of hand-made objects, electronics and a blend of digital and analogue systems, her work represents a cross between kinetic sound sculptures and newly invented musical instruments. She creates pieces in response to specific locations and frequently works in collaboration with other practitioners and scientists and often actively involves the audience in the creative process.

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3.15 – St Marys Hall
Pat Thomas – Solo

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Pat Thomas appearing at Westport Sound, October 2025
Pat Thomas modestly describes himself as ‘a traditional player who’s just open to things’; that openness has seen him celebrated as ‘one of Britain’s most distinctive pianists, as well as an electronics wizard and visionary composer’ (Stewart Smith, The Guardian). Pat is a virtuoso who has collaborated internationally for decades with improvising masters from Lol Coxhill & Derek Bailey to celebrated contemporary operators such as Thurston Moore & Moor Mother.

Of Antiguan heritage and unwilling to be bound by genre, race or class, Pat began playing on a cardboard piano before learning classically from 8 years old. He became a Sufi in 1990, drawn to the traditions of scholarship and social justice, and this spiritual and intellectual foundation informs his searching music. He is a pioneering historic presence in the Oxford Improvisers Collective & his energetic, wide open approach is broad; it ranges from his 1997 solo debut Remembering: New Jazz Jungle, a wild sound of Amen-break drum’n’bass, mutant funk and post – Western atonality to playing in one of the great jazz quartets performing today – [Ahmed] – who imaginatively explore the music of double bassist Ahmed Abdul-Malik.

It is a true honour to have Pat grace Westport Sound, twice, with a solo piano performance & then drawing Sunday to a close with the trio Shifa.

“Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude.” – The Jazz Mann

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4.30 – Hayloft
Dominic Lash & Heather Roche

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Dominic Lash and Heather Roche - Westport Sound 2025, Wiltshire
Dominic Lash is a double bassist, guitarist, author & film theorist; Heather Roche is a clarinettist, composer & academic and coming together, they play with great sensitivity and committed listening. Prolific & renowned collaborators, they have independently and collectively performed & recorded with Modern Nature, Angharad Davies, Alexander Hawkins, Steve Noble & Apartment House, amongst countless others.

They have a distinguished portfolio, performing internationally, participating in multiple residencies & festivals including Manchester Jazz Festival & Huddersfield Contemporary Music Festival. Dominic performed with the late violinist Tony Conrad, recorded with Chris Corsano & has had a solo double bass piece composed especially by Éliane Radigue. Heather has recorded 23 albums with Apartment House, performed with the London Symphony Orchestra & London Sinfonietta, and premiered countless solo works for clarinet including a specially commissioned concerto performed at Glasgow’s Tectonics festival.

On Dominic, “a master of the extreme” – Paul Medley, Oxford Times

On Heather, “a figurehead for contemporary music performance practice” – Neil Luck, BBC Radio 3

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5.30 – St Marys Hall
Milkweed

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Milkweed at Westport Sound, October 2025
A duo of voice, guitar & banjo shrouded in mystery despite the white light heat of a trio of celebrated cassette releases, 4* Guardian reviews & sold out shows across the UK. Milkweed describe themselves as ‘Slacker-trad’ and it’s certainly an apt description for their transatlantic live performance which leans into the grunge thrash dynamics & gear shifts of those halcyon Pavement days with fuzzed folk reworkings reminiscent of Amps For Christ & the lo-fi tape stretching of experimental hip hop trio cLOUDDEAD.
What the description doesn’t fully capture, is the densely original multimedia, intertextual exploration of hauntology, prehistory and folklore, referencing both Appalachian & British traditional music. A contemporary folk horror exposes the fault lines of historical rupture through spliced tapes and muddied melodies, washed up on a river’s shore or chopped up with pirate radio static. Amongst shredding banjo and a defiant voice akin to Lankum’s Radie Peat, Milkweed draws out the ghosts in the glitched, distressed echoes & shadows of their unearthed & disrupted source material. A tape spliced approach that holds something of a plunderphonics impulse, Milkweed’s work explores notions of artefacts & psychic lines as they reconstitute symbolism & storytelling.

“Something new, something ancient and something on the wind. Mesmerising” – Sophie Parkes, Songlines

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6.45 – Hayloft
Yeah You

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Yeah You Westport Sound 2025, Wiltshire
We are very excited to have added YEAH YOU to our Westport Sound Festival lineup in October. The Welsh /father/daughter duo Elvin Brandhi and Gustav Thomas. Their spontaneous sonic outpouring spews unfiltered human into jagged pop requiems made from a variety of tools in endlessly shifting contexts.

They have released on Alter, Slip Imprint and Opal Tapes among other labels. Their musical project has an innate portability. They have performed at international festivals including Sonic Acts, Borealis, Counterflows, Supernormal and now Westport Sound in Malmesbury!

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7.45 – St Marys Hall
Shifa

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Shifa - Westport Sound October 2025
Shifa is a name taken from the Arabic word for healing, شفاء,
Pianist Pat Thomas, Saxophonist Rachel Musson & drummer Mark Sanders are some of the UK’s most experienced and active improvising musicians. The name Shifa reflects the trust & close listening interplay between them.

Ecliptic is their new album released on Discus following two acclaimed live recordings from London’s Cafe OTO & Oslo’s Blow Out Festival in 2019 (both on New York-based 577 Records). Pat Thomas is one of the great contemporary pianists. Rachel Musson is an extensive collaborator, a ‘free-improviser sensitive to melody-like narrative and dramatic pacing’ (John Fordham, The Guardian). Mark Sanders is a renowned drummer who has performed with a who’s who of jazz & experimental musicians and features on a staggering 220 (& counting) recordings. Last year’s performances at Westport Sound now sit amongst major festival appearances across Europe, Brazil & the UK’s WOMAD & Glastonbury.

“True mind-meld…free-jazz [of the] highest order” – Mike Jurkovic, All About Jazz

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