Next Programme

18th November 2025 – John Bisset and Phil Minton

John Bisset and Phil Minton

John Bisset is a guitarist, born in Manchester 1960. In 1977 he was a co-founder of the Manchester Musician’s Collective, whose members included Trevor Wishart, Tony Friel (cellist/bass player with the Fall) and Simon Holt. This eclectic mix of musicians was rich and wondrous; setting the pattern for Bisset’s trajectory, working in improvisation, songs, visual arts, and facilitating events and collective activity.He has collaborated with countless artists, notably: Rhodri Davies, Maggie Nicols, Mark Sanders, Pat Thomas, Jem Finer, Burkhard Beins, and more recently Olga Ksendzovska, Julia Brüssel, Iris Colomb, George Garford, Milana Sarukhanyan & Dan Johnson.

Phil Minton comes from Torquay in the UK. He played trumpet and sang with the Mike Westbrook Band in the early 60s- then in dance and rock bands in Europe for the later part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980′s. More recently, Phil has on going Duos with Carl Ludwig Hübsch, Guylaine Cosseron, Hugh Medcalfe and Szilard Mezei.

For most of the last forty years, Phil has been working as a improvising singer in groups, orchestras and situations, in various locations worldwide. Some composers have written pieces that especially employ his extended vocal techniques and improvisations. He has a quartet with Veryan Weston, Roger Turner and John Butcher and ongoing duos with all the above.

Phil also sings with many other musicians including Audrey Chen, with whom in the last ten years, he has performed worldwide.

Since the eighties, his Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries. More recently, Phil has on going Duos with Carl Ludwig Hübsch, Guylaine Cosseron, Hugh Medcalfe and Szilard Mezei.

John Bisset and Phil Minton
Tuesday 18th November 2025
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David David / Matt Davis and James Opstad

David David - Matt Davis and James Opstad

James Opstad is a bassist and composer based in Stroud, UK. Once a regular fixture on the London jazz scene, his wide ranging musical interests and unique versatility have since seen him perform in a broad range of styles and settings. As a member of the experimental music ensemble, Apartment House, he has featured on numerous recordings for the Another Timbre label and performed at venues including Wigmore Hall and Café Oto. Other collaborations have included the free-improv trio, duck-rabbit, the Balkan folk band, Paprika, and the Nuevo Tango ensemble, Fugata Quintet, as well as performances with the classical guitarist, Miloš.

As a composer, James works closely with a tightly-knit group of performers that include Apartment House, Heather Roche and the GBSR Duo. His recent works explore intricate layerings of tempi and are rooted in a fascination with time, timbre and counterpoint.

James is also passionate about early music and in his free time can be found playing the viola da gamba.

Matt Davis has been active in improvised music since the mid 90’s, playing throughout Europe and Japan in many different collaborations and small and large group ensembles including Zeitkratzer and La Sospechosa dance company.

From 2003 he has directed ‘Field’ – a live art/performance project, which investigates Space and has collaborated with geographer Doreen Massey, author of For Space.

His sound/music work continues to include acoustic improvisation (trumpet and preparations) which could be described as textural, sound based pieces. Along side this is an electromagnetic set up: performance based improvisations which use electromagnetic fields from custom-built cracked electrical devices and field recordings of electromagnetic residue and interference, as well as drawing on the immediate situation/space of the performance. These elements are explored as spatial, acoustic phenomena and for their potential as organic and/or feral musical elements.

David David / Matt Davis & James Opstad
Tuesday 21 October 2025
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Seth Cooke + Matthew Grigg & Robin Foster

Seth Cooke + Matthew Grigg & Robin Foster

Seth Cooke Filling noise with space – artefacts and artifice – live performances involving feedback & resonance – occasional drums & electronics.

Matthew Grigg Guitar, amplifier. Bristol UK based musician, dealing predominantly with improvised musics.

“..somehow treads an impossible line between fragile beauty and gnarled anger” – The Wire

“I have no idea how Grigg plays his instrument, but it is barely recognisable as a guitar.” – FdW, Vital Weekly

Robin Foster, Based in Bristol, Uk his work encompasses ideas relating to performance art, improvisation, physicality, sound art and noise music. Through the performance practice Rummaging, he uses objects to explore ideas relating to viscerality in performance, and the relationship of humans to the things with which we surround ourselves.

Seth Cooke + Matthew Grigg & Robin Foster
Tuesday 12 August 2025
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18th November 2025 – John Bisset and Phil Minton

John Bisset and Phil Minton

John Bisset is a guitarist, born in Manchester 1960. In 1977 he was a co-founder of the Manchester Musician’s Collective, whose members included Trevor Wishart, Tony Friel (cellist/bass player with the Fall) and Simon Holt. This eclectic mix of musicians was rich and wondrous; setting the pattern for Bisset’s trajectory, working in improvisation, songs, visual arts, and facilitating events and collective activity.He has collaborated with countless artists, notably: Rhodri Davies, Maggie Nicols, Mark Sanders, Pat Thomas, Jem Finer, Burkhard Beins, and more recently Olga Ksendzovska, Julia Brüssel, Iris Colomb, George Garford, Milana Sarukhanyan & Dan Johnson.

Phil Minton comes from Torquay in the UK. He played trumpet and sang with the Mike Westbrook Band in the early 60s- then in dance and rock bands in Europe for the later part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980′s. More recently, Phil has on going Duos with Carl Ludwig Hübsch, Guylaine Cosseron, Hugh Medcalfe and Szilard Mezei.

For most of the last forty years, Phil has been working as a improvising singer in groups, orchestras and situations, in various locations worldwide. Some composers have written pieces that especially employ his extended vocal techniques and improvisations. He has a quartet with Veryan Weston, Roger Turner and John Butcher and ongoing duos with all the above.

Phil also sings with many other musicians including Audrey Chen, with whom in the last ten years, he has performed worldwide.

Since the eighties, his Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries. More recently, Phil has on going Duos with Carl Ludwig Hübsch, Guylaine Cosseron, Hugh Medcalfe and Szilard Mezei.

John Bisset and Phil Minton
Tuesday 18th November 2025
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11th December 2025 – SAROST (Sanders, Rogers, Stabbins)

SAROST (Sanders, Rogers, Stabbins)

SAROST (Mark Sanders – Drums, Paul Rogers – Double Bass, Larry Stabbins – Saxophones)

We are totally delighted that SAROST will be coming to Malmesbury. This trio has an astonishing combined legacy having shaped and been a part of and still shaping the Bristish Free Jazz/Improv scene.

Mark Sanders is a drummer/percussionist who has played with countless renowned improvising musicians in concerts and festivals all over the world, including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Roswell Rudd and Evan Parker, with Larry in a quartet with Howard Riley and as a trio with pianist Pat Thomas and played on over 200 vinyl and CD releases.

He is Visiting Lecturer at The Royal Academy of Music and was a Lecturer at Leeds Conservatoire teaching his own improvisation module for seven years He has also been a guest tutor running Masterclasses at Guildhall School of Music and Theatre , Trinity Laban and Dartington Music and Summer School.

Larry Stabbins was born in Bristol where he started learning clarinet at the age of eight then soprano saxophone at nine and graduating to tenor sax at ten. He did his first paid gig in his father’s dance band at twelve and started a long association with pianist Keith Tippett when he was sixteen and Keith eighteen at the legendary Dugout Club in Bristol. At the same time he served his musical apprenticeship in local dancehall resident bands and countless soul bands. He later contributed to many of Tippett’s projects such as Centipede, Ark, Tapestry and the Septet. In addition to occasional duo performances, in the mid-eighties they also worked for a several years as a trio with percussionist Louis Moholo recording the album “Tern” on FMP, while Tippett was himself involved in various Working Week and Weekend activities and Keith’s wife Julie sang on the fourth Working Week album. In London in the early 70’s after a short spell in the Brotherhood of Breath, he met many of the `second generation` of British improvisors such as Terry Day, Marcio Mattos, Ken Hyder, Paul Burwell, Maggie Nicholls and particularly Roy Ashbury with whom he formed a regular duo, recording Fire Without Bricks for Bead Records in 1976. During this period in London he also worked as a freelance commercial musician, playing studio sessions, nightclubs and West End shows as well as playing in more jazz based situations such as Mike Westbrook’s Solid Gold Cadillac.

Alongside this he played in the seminal pop group Weekend and formed a key writing partnership with its guitarist Simon Booth. This became the basis for Working Week, a project that took a melange of latin, soul and jazz into the world of pop and dance music. Born out of the burgeoning Latin Jazz Dance scene in London clubs such as the Electric Ballroom and the Wag, the new band mixed jazz with modish Latin dance rhythms and vocals by singers such as Juliet Roberts, Julie Tippetts, Robert Wyatt and Tracy Thorn (Everything But The Girl, Massive Attack).

Following a period away from music during the mid nineties,he formed a trio with with Pat Thomas and Mark Sanders ” Game Theory” playing what was described by BBC Radio 3 as “Free Jazz Techno Funk”. During this period he also worked with Keith Tippett’s Tapestry, in a quartet with Howard Riley Tony Wren and Mark Sanders, in Louis Moholo’s Dedication Ochestra, in Soupsongs, playing the music of Robert Wyatt, and in Jerry Dammers Spatial AKA Orchestra.

This was followed by “Stonephace” a project with rave producer and DJ Krzysztof Oktalski,which featured Portishead guitarist Adrian Utley and bass player Jim Barr together with live visuals from VJ Stella Marina. The 2009 album on Tru Thoughts Recordings also features a guest appearance from legendary trumpet player Guy Barker.
Then came “Stonephace Stabbins” a quintet featuring pianist Zoe Rahman, Karl Raschied Abel on Bass, Pat Illingworth Dmas and Spry Robinson percussion.

The album “Transcendental” was released on Stabbins own Record Label Noetic Records.After another long break away from music he is curremntly working with film artist Roger Thorp, solo and with the new band “137” with Adrain Utley (Portishead) guitar, Jim Barr bass, and Sebastian Rochford drums.

Paul Rogers plays an AAL 7 string bass of his own design. In addition to solo concert performances he has played with countless major musicians on the European and US Jazz and Improvised Music scenes for over 40 years including many combinations with Mark, with whom he recently recorded with Paul Dunmall and was a member of the influential group Mujician with Keith Tippett, Paul Dunmall and Tony Levin. He also played with Larry in many groupings over the years, most notably the Keith Tippett Septet and Tapestry Orchestra and Louis Moholo’s Dedication Orchestra.

“The improvised music threesome then reaped the benefit of decades of experience in a seamless flow of musical ideas exchanged, shared and evolved in a perfect balance. Storms were whipped up and clarities discovered, looping riffs eventually devolved, anthemic melodies rose out of formless haziness … it was a joy to behold.” – JazzWise Magazine.

SAROST
Thursday 11th December 2025
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14 September 2025 – Ak’chamel

AK' chamel

“Percussive avant-folk that captures death and nature in their spiritual and material power and renders it as sound” – HHV Mag (Germany)

For over 15 years Ak’chamel has built a solid reputation as a compelling stage project. Wearing nightmarish witch-doctor costumes and engaging in hallucinatory “rituals”. Their singular sound comprising desert-scorched psychedelia, post-apocalyptic shamanism, and lo-fi ritual-folk is as unique as the physical theatre of their live performances.

This is one of only two UK dates in this Euro tour.

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Ak’chamel
Sunday 14 September 2025
Doors 19:30. Show 20.00-22.00.
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23 September 2025 – Omega Institute & Rachel Musson

Omega Institute and Ruth  Mussson

Rachel Musson is a saxophonist, improviser and composer based in the UK. She is a current (2024-2027) recipient of the prestigious Paul Hamlyn Composer award. She has spent the last decade immersed in improvised music, and has also gradually been introducing composed elements into her work, drawing on text, field recordings and processing sounds.

Omega Institute: “Jazz/improv meets Quatermass & the Pit”. Aidan Searle on drums, Jeff Green on bass and Nigel Bryant on oscillator/effects.

Rachel Musson website
Rachel Musson bandcamp
Omega Institute

Omega Institute & Rachel Musson
Sunday 23 September 2025
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Westport Sound 25 Acts Confirmed

Westport Sound 25 Acts Confirmed (with many more to come)

137 (Larry Stabbins / Jim Barr / Adrian Utley / Seb Rochford) – Saturday 11th October

Post-jazz art rock supergroup with members of Portishead, Sons of Kemet & Get the Blessing.

That all rare thing, a supergroup of considerable individual acclaim & experience, free of ego, connecting instead through musical commitment to the collective. Their strong individual identities remain however, and only act to weave together a web of determined sound. Larry Stabbins, collaborator with Keith Tippett, Louis Moholo, Tony Oxley & Peter Brötzmann alongside popular soul-jazz success with his 1980s group Working Week, frequently snakes & soars above a driving post-rock bedrock of Jim Barr’s thundering bass lines, Adrian Utley’s sidewalk crunching guitar with a shadowing menace & the shuffling undercurrent of Seb Rochford, the percussive & rhythmic voice of Acoustic Ladyland, Polar Bear, Sons of Kemet & Patti Smith’s live band amongst many others.

137 are sure to shake St Mary’s Hall.

‘Tremble and bristle together like post-rockers Mogwai, had they cut their teeth on Weather Report and Barry Adamson’ Tariq Goddard, The Quietus.

Westport Sound 25 11th – 12th October 2025
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Last Dream of the Morning – Saturday 11th October
Last Dream of the Morning

Last Dream of the Morning is a trio of jazz & free improvised music heavyweights – saxophonist John Butcher, double bassist John Edwards & drummer Mark Sanders. Since the early 1980s, all three have explored rich & significant collaborations with a roll call of the greats in jazz & experimental music, from Spontaneous Music Ensemble and AMM’S Eddie Prévost to Fred Frith, Joe McPhee & Keiji Haino, to everyone in between. Last year John Butcher celebrated his 70th birthday at London’s Cafe OTO, a chance to appreciate a lifetime’s commitment to collaboration and musical exploration. As the New York City Jazz Record notes, Butcher has operated ’at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby’.

Mark Sanders is a celebrated & prolific drummer, playing with greats including Wadada Leo Smith, Henry Grimes & Evan Parker. John Edwards grew up in London & is deeply rooted in free jazz & improvisation. He is widely regarded as one of the great double bass players of his generation. A strutting intensity that acclaimed journalist Richard Williams observes as, ‘absolutely remarkable: there’s never been anything like him before, anywhere in jazz.’

‘all working at the very pinnacle of European improv…the level of rapport and collective virtuosity is astonishing.’ Daniel Spicer, Jazzwise.

Westport Sound 25 11th – 12th October 2025
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Bryn Wyrd – Saturday 11th October
Bryn Wyrd

Bryn Wyrd is a Bristol based duo with strong Midlands roots. The collaboration between DIY stalwarts Anthony Brown (Repo Man / Iceman Furniss Quintet) on upright bass and Aron Ward (Harpoon / Repo Man) on electronics, drum machines and fx mangling forge a dense texture of entangled & taut, industrial techno-like pulses of distortion, pounding electronic physicality & dub concrète production with traces of early Warp-style IDM & hard strummed free jazz bass lines.

‘Lands somewhere pretty fresh and, by my reckoning, largely unoccupied’ Noel Gardner, The Quietus

Westport Sound 25 11th – 12th October 2025
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The New Eves – Saturday 11th October
The New Eves

Brighton-based DIY quartet of folkloric punk & rock ’n’ roll. A crashing, ritualistic propulsion across cello, violin, flute, guitar, bass & drums. Indie hooks & wails with the motorik edge of The Velvet Underground, playful looseness of The Raincoats & agitated delivery of Patti Smith. After a festival highlight set at Green Man’s Rising Stage last year & an upcoming UK tour, End of the Road main stage festival appearance & debut album release, it’s a real coup to welcome them to Westport.

‘One of the most exciting debut albums of the year’ Rough Trade

The New Eves: meet the Brighton quartet with a mind-bending live set NME

Westport Sound 25 11th – 12th October 2025
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Theo May’s New Odd Unit – Sunday 12th October
Theo May

Malmesbury’s own prodigy, a hometown favourite with progressive vision & classical technique. Theo was born in the late 1990s and excited by his father’s love of jazz & extensive collection of music began to play the violin at 4 years old. Formal education came through the South West Music School in 2009, The Purcell School and then the Royal College of Music. Theo has an energetic, expansive practice immersed in jazz, free improvisation, folk & classical music, shaped & encouraged by the guiding light & support of Keith & Julie Tippett.

Theo May’s New Odd Unit emerges from the ashes of last year’s celebrated album Alive in the Forest of Odd. That quintet’s wild set of European folk, modal jazz & avant-garde compositions was released with a triumphant sold out hometown show & airplay on BBC Radio 3’s specialist jazz programme Round Midnight. Theo’s abundant energy, wide musical reach & renaissance style intensity suggests him to be something of a contemporary David Munrow.

Sunday lunchtime promises to be a blistering start to the day’s programme – wake the town & tell the people indeed.

‘an approach to music-making that takes such delight in the journey of a composition, travels across so many musical traditions and countries, and reaches out to explore novel ways of bringing familiar instruments together [with] a vision that is so all-embracing, enthusiastic, and warm’ Chris Barber, Jazz Views.

Westport Sound 25 11th – 12th October 2025
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Dominic Lash & Heather Roche – Sunday 12th October
Dominic Lash & Heather Roche

Dominic Lash is a double bassist, guitarist, author & film theorist. Heather Roche is a clarinetist, composer & academic. Together they play with great sensitivity and committed listening. Prolific & renowned collaborators, they have independently and collectively performed & recorded with Modern Nature, Angharad Davies, Alexander Hawkins, Steve Noble & Apartment House, among countless others.

They have performed internationally, participated in multiple residencies & festivals including Manchester Jazz Festival & Huddersfield Contemporary Music Festival. Dominic performed with the late violinist Tony Conrad, recorded with Chris Corsano & had a solo double bass piece composed especially by Éliane Radigue. Heather has recorded 23 albums with Apartment House, performed with the London Symphony Orchestra & London Sinfonietta, premiered countless solo works for clarinet including a specially commissioned concerto performed at Glasgow’s Tectonics festival.

On Dominic, ‘a master of the extreme’ Paul Medley, Oxford Times

On Heather, ‘a figurehead for contemporary music performance practice’ – Neil Luck, BBC Radio 3

Westport Sound 25 11th – 12th October 2025
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Milkweed – Sunday 12th October
Milkweed

A duo of voice, guitar & banjo shrouded in mystery despite the white light heat of a trio of celebrated cassette releases, 4* Guardian reviews & sold out shows across the UK. Milkweed describe themselves as ‘Slacker-trad’ and it’s certainly an apt description for their transatlantic live performance which leans into the grunge thrash dynamics & gear shifts of those halcyon Pavement days with fuzzed folk reworkings reminiscent of Amps For Christ & the lo-fi tape stretching of experimental hip hop trio cLOUDDEAD.

What the description doesn’t fully capture, is the densely original multimedia, intertextual exploration of hauntology, prehistory and folklore, referencing both Appalachian & British traditional music. A contemporary folk horror exposes the fault lines of historical rupture through spliced tapes and muddied melodies, washed up on a river’s shore or chopped up with pirate radio static. Amongst shredding banjo and a defiant voice akin to Lankum’s Radie Peat, Milkweed draws out the ghosts in the glitched, distressed echoes & shadows of their unearthed & disrupted source material. A tape spliced approach that holds something of a plunderphonics impulse, Milkweed’s work explores notions of artefacts & psychic lines as they reconstitute symbolism & storytelling.

‘Something new, something ancient and something on the wind. Mesmerising’ Sophie Parkes, Songlines.

Westport Sound 25 11th – 12th October 2025
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Pat Thomas – Sunday 12th October
Pat Thomas

Pat Thomas modestly describes himself as ‘a traditional player who’s just open to things’, that openness has seen him celebrated as ‘one of Britain’s most distinctive pianists, as well as an electronics wizard and visionary composer’ (Stewart Smith, The Guardian). Pat is a virtuoso who has collaborated internationally for decades with improvising masters like Lol Coxhill & Derek Bailey to celebrated contemporary operators such as Thurston Moore & Moor Mother.

Of Antiguan heritage, unwilling to be bound by genre, race or class, Pat began playing on a cardboard piano before learning classically from 8 years old. He became a Sufi in 1990, drawn to the traditions of scholarship and social justice, and this spiritual and intellectual foundation informs his searching music. He is a pioneering historic presence in the Oxford Improvisers Collective & his energetic, wide open approach ranges from his 1997 solo debut Remembering: New Jazz Jungle, a wild sound of Amen-break drum’n’bass, mutant funk and post – Western atonality to playing in one of the great jazz quartets performing today – [Ahmed] – who imaginatively explore the music of double bassist Ahmed Abdul-Malik.

It is a true honour to have Pat grace Westport Sound, twice, with a solo piano performance & then drawing Sunday to a close with the trio Shifa.

‘Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude.’ – The Jazz Mann

Westport Sound 25 11th – 12th October 2025
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Shifa – Sunday 12th October
Shifa

Shifa is a name taken from the Arabic word for healing, شفاء,

Pianist Pat Thomas, Saxophonist Rachel Musson & drummer Mark Sanders are some of the UK’s most experienced and active improvising musicians. The name Shifa reflects the trust & close listening interplay between them.

Ecliptic is their new album released on Discus following two acclaimed live recordings from London’s Cafe OTO & Oslo’s Blow Out Festival in 2019 (both on New York-based 577 Records). Pat Thomas is one of the great contemporary pianists. Rachel Musson is an extensive collaborator, a ‘free-improviser sensitive to melody-like narrative and dramatic pacing’ (John Fordham, The Guardian). Mark Sanders is a renowned drummer who has performed with a who’s who of jazz & experimental musicians and features on a staggering 220 (& counting) recordings. Last year’s performances at Westport Sound now sit amongst major festival appearances across Europe, Brazil & the UK’s WOMAD & Glastonbury.

‘True mind-meld…free-jazz [of the] highest order’ Mike Jurkovic, All About Jazz.

Westport Sound 25 11th – 12th October 2025
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Many more acts to be confirmed for our two day festival. Stay tuned.

10 October 2025 – The Egg (Westport Sound 25 warm-up gig)

The Egg

Join us, meet with friends and come and get in the mood for Westport Sound 25 with this relaxed warm-up featuring THE EGG.

The Egg are genuine legends of the underground music scene not just here in the UK but due to numerous global jaunts, worldwide too. The band formed in Oxford in the 1990’s and were one of the first bands I’d ever seen play electronic techno but as a typical four piece bass/drums/guitar/keys affair. I remember thinking when rave music was taking over in the early 90’s that bands would have to learn to play this thumping dance style in order to compete with the rash of DJs popping up everywhere.

The Egg not only mastered this but also developed their own highly funky take on the genre that proved irresistible with the countless audiences they performed to. The Egg had a hit record in 2006 with the David Guetta mashup Love Don’t Let Me Go (Walking Away) which reached number 3 in the UK and charted all across Europe.

The Egg – Bandcamp
The Egg – Instagram
The Egg – Facebook

The Egg
10 October 2025
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15th July 2025 – Si Paton & enys mottet

Si Paton coming to The Three Cups, Malmesbury
Si Paton is a composer, improviser, bassist, academic, event curator, noisemaker, smart mouth and general antagonist. He has completed his PhD at Royal Birmingham Conservatoire and previously studied electric bass and jazz composition at University of West London. As an improviser, he has played with many well known figures, and was previously the bassist and bandleader in the math-jazz group Selectric. His solo performances, and the trans-Atlantic no wave duo Phame are amongst his most prominent endeavours currently. He was previously the founder and curator of Thinking/Not Thinking Fest, and currently runs the concert series Don’t Mind Control.


enys mottet is a multidisciplinary artist based in England, New York. With beats constructed from, voice, synthesis and internet rubble, their live show sees them combine their musical tendencies with visual cut scenes and performance. For this instalment of the show, they will be accompanied by, improvising guitarist and multi-instrumentalist, ‘Oscar Woolley’.

Si Paton & enys mottet
Tuesday 15 July 2025
Doors 19:30. Show 20.00-22.00.
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